Of drawers and other demons
At last. I have finally joined that group of illustrious, glorious writers who have that bad first novel secreted away in the back of a deep dark drawer. It’s been hard work and a long haul but I got there in the end. I knew I could do it.
When I think back over all the hours spent creating two dimensional characters (so tedious and inert that it was a race between them and the reader to see who would succumb to a coma first), gratuitous grandiose descriptions of the minutiae of life (including skirting boards, tile grout, scabs and nasal hair) and dawdling plot development (not a question of what will happen but will something happen) it is with an enormous sense of pride.
Remember the bloodshot eyes, the aching wrists and the protesting brain; drained of imagination and creativity but persevering because practice makes perfect? And there was all that revising, rewriting, revising, rewriting, revising, rewriting and revising again. The hundreds of printer cartridges, the acres of paper, the notebooks, the research, the tragic loss of the favoured pen, the writers’ groups, the feedback, the tantrums.
Oh, the dizzying highs and the crushing lows.
Oh, the humanity.
Oh, the sheer joy of shutting it away in a drawer.
Damn, it feels good to get that one under my belt. I’d burn it but in this weather the whole of NW2 would probably catch light. I suppose this way I always have something to wedge under the leg of wobbly furniture.
If I ever dare take it out of the drawer.
I think I can hear it whispering in the middle of the night, you know.